[eh?95]Eoin Callery
Oakum
[eh?94]noisepoetnobody
Fissure
[eh?93]Bad Jazz
Daymare
[eh?92]Ernesto Diaz-Infante
My Benign Swords
[eh?91]Larnie Fox
In The Cathedral of Airplanes
[eh?90]Tom Djll
Cassette19
[eh?89]Leonard * Day * Jerman
Isinglass
[eh?88]Das Torpedoes
Qu Nar
[eh?87]Ben Bennett & John Collins McCormick
Pluperfect
[eh?86]Daniel Wyche
Our Severed Sleep
[eh?85]Seeded Plain
Spill Containment
[eh?84]Bad Jazz
Bad Dreams In The Night
[eh?83]Chefkirk & Andrew Quitter
Kaiju Manifestos
[eh?82]Venison Whirled
Tetragrammatones
[eh?81]Gary Rouzer
Studies and Observations of Domestic Shrubbery
[eh?80]Unrepeatable Quartet
Edmonton 2012
[eh?79]Stefan Roigk
Unpredictable
[eh?78]Lucky Bone
Borderline
[eh?77]Jeffrey Alexander
No Sacred Snow, No Sacred Show
[eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
(Winter Pale) Red Sun
[eh?75]Horaflora
Live
[eh?74]Graves / Kreimer / Wilsey / Bachmann
The July Amalgam
[eh?73]Sky Thing
Virgin Journalist
[eh?72]Cactus Truck
Live in USA
[eh?71]Various Artists
Hammer, Anvil, Stirrup
[eh?70]Alice Hui-Sheng Chang, Park Seungjun and Jin Sangtae
Live at Dotolim
[eh?69]Edward Ricart & Tim Daisy
Yiu Ja Ley
[eh?68]Chagas And Schafer
Gesture To The Declining Sun
[eh?67]Superlith
Plasma Clusters
[eh?66]Jeff Kaiser / Nicolas Deyoe
Chimney Liquor
[eh?65]Close Embrace of the Earth
At the Spirits Rejoice Festival
[eh?64]Jean-Marc Montera & Francesco Calandrino
Idi Di Marzo
[eh?63]Un Nu
Recoupements
[eh?62]Bailly / Millevoi / Moffett
Strange Falls
[eh?61]Jacob Felix Heule & Bryce Beverlin II
Intersects
[eh?60]Foust!
Space Sickness
[eh?59]Dislocation
Mud Layer Cake
[eh?58]Strongly Imploded
Twilight of Broken Machines
[eh?57]CHEFKIRK
we must leave the warren
[eh?56]Hag
Moist Areas
[eh?55]Eloine & Sabrina Siegel
Nature's Recomposition 33
[eh?54]KBD(uo)
Any Port In A Storm
[eh?53]Eckhard Gerdes
!Evil Scuff Mud
[eh?52]Psychotic Quartet
Sphaleron
[eh?51]Federico Barabino
Can You Listen To the Silence Between the Notes?
[eh?50]Soaf
Dynammo
[eh?49]Yana
The Fruit Witch of Ancient Salamander
[eh?48]Ember Schrag
Jephthah's Daughter
[eh?47]Massimo Falascone / Bob Marsh
Non Troppo Lontano
[eh?46]Delplanque / Oldman
Chapelle de l'Oratoire
[eh?45]The Epicureans
A Riddle Within a Conundrum Within a Game
[eh?44]Croatan Ensemble
Without
[eh?43]Man's Last Great Invention
None.
[eh?42]Sad Sailor
Link to the Outside World
[eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
Object
[eh?40]Andreas Brandal
This Is Not For You
[eh?39]Gamma Goat
Beard of Sound, Beard of Sand
[eh?38]John Dikeman / Jon Barrios / Toshi Makihara
We Need You
[eh?37]David Moscovich
Ass Lunch
[eh?36]KBD
Four Plus One
[eh?35]Brekekekexkoaxkoax
I Manage To Get Out by a Secret Door
[eh?34]Diamondhead
Dirty Realism
[eh?33]Jesse Krakow
World Without Nachos
[eh?31]DBH
Wave the Old Wave
[eh?30]Bryan Day
Four Televisions
[eh?29]Giraffe
Hear Here
[eh?28]Nagaoag
Yama Labam A
[eh?27]Shelf Life
Rheuma
[eh?26]Papier Mache
2
[eh?25]Papier Mache
1


Lucky Bone - Borderline
CD-R (Milwaukee, WI)



-Borderline



Lucky Bone: Neil Gravander

Reviews:
(Chain D.L.K.) Lucky Bone is the work of experimental filmmaker Neil Gravander, who hails from Milwaukee, Wisconsin. I could find very little about this project, but he is a graduate student at University of Wisconsin, Milwaukee who has exhibited his work at various shows. The liner notes are cryptic, but for this album it doesn't really seem to matter. For example, 'Part one is pre-summer something needle with recordings from the thieving boyfriends girlfriends fathers house also BPWS live on the NYC boardwalk, n' LB is Borderline and sad, and home-alone too: spiritual.' If this doesn't seem to make much sense, remember: it probably doesn't matter either way. Sonically, this album is all over the map, but remains firmly in the constellation of heavily treated sound source. Imagine taking a radio and then cycling through the stations, recording it as you go along. Now run it all through some heavy distortion and the occasional pitch bending. This gives you a taste of what you are in for. At some points the loops can get a bit repetitive, but this album moves on from place to place, like a shark that must constantly remain in motion or it will die. For example, at 10 minutes in we are treated to processed catcalls of 'Come on, girl!' followed by a truly terrible karaoke rendition of Madonna's 'Borderline.' It was funny, but got a bit dull by the end. Later, at 25 minutes in, he seems to be introducing his project by discussing the fact that he just got back from touring which then slips into voice samples that get tweaked beyond belief. At 52 minutes in, we take a trip down the radio dial over and over again, with slight variations on the theme. At 56 minutes in, we are told that this song is 'the story of how I broke my shoulder,' which then takes feedback, hum, and what may be synth and runs with it. Overall, this is noisy experimentation that doesn't seem to take itself too seriously. This last part may be its saving grace; the humorous undertone allows us to be much more forgiving. If you like lo-fi experimentation, this is one to check out. Think of this as a cross between Hafler Trio, Bob Ostertag, and anything that has come out on Breathmint Records. This album weighs in at around 76 minutes. - Eskaton

(Revue & Corrigee) LUCKY BONE est un projet de l'américain Neil Gravander. Projet bruitiste à sa manière qui mêle le plunderphonic, la techno minimale, et l'electronica. On pense à Kid 606 parfois, En plus déluré. Des collages improbables, des bandes à l'envers. Des prises de son bruitistes parfois entendues chez Alejandra & Aeron et les productions de leur label Lucky kitchen. Le clou du spectacle cette prise live d'un crooner de campagne assez drôle. Ensuite ça se brouille. Un son ultra lo-fi aussi ici. Assez surprenant. - Cyrille Lanoë


© 2014 Public Eyesore Records. All Rights Reserved.