Reviews: (Noise Not Music) Close to six years ago now, I met venerable multimedia guru John Collins McCormick at a show in Columbus, OH, and he recommended I check out another artist named Rie Nakajima. Needless to say, one of the best tips I’ve ever received, and it is also relevant when discussing Healthy Alternative to Thinking (McCormick’s fifth tape this year! Check out the others on Garbage Strike) which is very much in line with Nakajima’s motor-based object soundscapes, but in a richly colorful, ragtag way that no one else could pull off. This is the kind of raw sound that is both intense and beautiful in its simplicity. - Jack Davidson
(Disaster Amnesiac) [T]he heart, thus giving thought and thus being memory, gives itself in thought to that to which it is held. --Martin Heidegger, What Is Called Thinking? Good 'ole Martin certainly had a way with words, especially as regards thought and its role in worldly manifestations, no? That's the case for Disaster Amnesiac, anyway, and I must admit that I went right to my well-worn copy of the quoted book after receiving John Collins McCormick's new eh? Records cassette Healthy Alternative To Thinking. Maybe I was just trying to be clever, who knows, but that being said the idea of thinking and its analysis appeals to me, so there you go. This post should be about the music contained within Healthy Alternative, though. Let's hit on that. Just under thirty minutes of sound produced by up to eight subwoofers in drum stands, low frequencies, and "rattling odds and ends" makes for a sound that is Industrial, in that it's characterized by a rumbling, ceaseless low grade thrum, much like the sound of dental drill on a tooth or a jackhammer a few blocks down the street. The musical aspect comes from the overtones which arise within the mixture of the elements utilized by Collins McCormick. The listener is advised to be patient; they're there, but they don't jump out at first. This is not easy music to digest, but it hits that nerve that many people have, the one that can become entranced by simple sounds that repeat over and over again. Disaster Amnesiac has noted as well the engineering for Healthy Alternative, in that I'm guessing that John utilized close mic techniques for what I'd imagine is sound capture from a pretty delicate configuration. Dude is a sculptor, after all. To put that another way, this release doesn't scream obscenities at the confluence of large avenues, but instead whispers peculiarities from an (imagined) sitting room that is filled with books about Topics. Imagine Martin Heidegger pulling up rich, German earth with a powerful tractor, and you'll have a pretty good mental film with Healthy Alternative To Thinking as its soundtrack. - Mark Pino
(Vital Weekly) Upon a quick glance of the information provided I only seemed to have registred the fact that John Colins McCormick is a drummer. I had not heard of him before. I listening to the music, thinking, that's one hell of a drum technique. The two sides have a single piece each and there is a rapid rattling sound going on. What a speed! I went back to the information, learned that McCormick played the drums in Dead Letter Auction from 1999-2002, and later on got a bachelors degree in sculpture, using sound as a material. He used the name Sky Thing but since 2013 he uses his full name. He doesn't play the drums on 'Healthy Alternative To Thinking', but "a multi-channel, portable sound system that employs up to 8 subwoofers in drum stands, amplifying low frequencies, rattling odds and ends I collected over the years.” Ah that explains! Most fascinating stuff that is best compared with a washing machine in full force. Ours is in the kitchen which makes all the stuff above that dance like mad when it is in full force. McCormick has an interetsing collection of objects which he places on the subwoofers. Metallic mostly, I think, but at the same time, it could be also many other things. The resulting pieces are most of the time very direct and in your face, but sometimes goes down a bit, giving the pieces a bit more dynamic. I was reminded of Paul Panhuysen's jumping mexican beans (which I don't think was reviewed in Vital Weekly) and McCormick performs his pieces with great and consistency. It is also a slightly tiring set of sounds, so twenty-six minutes was also enough for me. The message came across loud and clear. - Frans de Waard
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