[eh?123]Eloine + Ypsmael / Coims
[eh?122]John Collins McCormick
Healthy Alternative To Thinking
[eh?121]charles lareau
Box of Black
[eh?118]Jeff Surak
Eris I Dysnomia
[eh?117]Terrie Ex & Jaap Blonk
[eh?116]Erin Demastes
Thing Music
[eh?115]Kal Spelletich
The Blessing of the ZHENGKE ZGA37RG
[eh?113]Tech Riders
For Eternity
[eh?112]Abigail Smith
Indochina Soundscraps
The Realisation That Someone Has Been Stood Behind You Your Entire Life
[eh?110]Johannes Bergmark / Guido Hübner
nisip noaptea
[eh?109]Seeded Plain
Flying Falling
The Furies Inside Me OST
[eh?107]Jaap Blonk
Joyous Junctures
[eh?106]Sindre Bjerga
Hesitation Marks
[eh?105]Patrick Shiroishi / Arturo Ibarra
LA Blues
Atomnye Deti
[eh?103]Seeded Plain
Buffets Close Suddenly
[eh?102]Tania Chen & Jon Leidecker
Live In Japan
[eh?101]Cookie Tongue
Orphan Arms
monument 36
[eh?99]Bill Brovold
Misty Nights
[eh?97]L. Eugene Methe and Megan Siebe
Revisited, Revisited, Revisited
[eh?96]Felipe Araya
[eh?95]Eoin Callery
[eh?93]Bad Jazz
[eh?92]Ernesto Diaz-Infante
My Benign Swords
[eh?91]Larnie Fox
In The Cathedral of Airplanes
[eh?90]Tom Djll
[eh?89]Leonard * Day * Jerman
[eh?88]Das Torpedoes
Qu Nar
[eh?87]Ben Bennett & John Collins McCormick
[eh?86]Daniel Wyche
Our Severed Sleep
[eh?85]Seeded Plain
Spill Containment
[eh?84]Bad Jazz
Bad Dreams In The Night
[eh?83]Chefkirk & Andrew Quitter
Kaiju Manifestos
[eh?82]Venison Whirled
[eh?81]Gary Rouzer
Studies and Observations of Domestic Shrubbery
[eh?80]Unrepeatable Quartet
Edmonton 2012
[eh?79]Stefan Roigk
[eh?78]Lucky Bone
[eh?77]Jeffrey Alexander
No Sacred Snow, No Sacred Show
[eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
(Winter Pale) Red Sun
[eh?74]Graves / Kreimer / Wilsey / Bachmann
The July Amalgam
[eh?73]Sky Thing
Virgin Journalist
[eh?72]Cactus Truck
Live in USA
[eh?71]Various Artists
Hammer, Anvil, Stirrup
[eh?70]Alice Hui-Sheng Chang, Park Seungjun and Jin Sangtae
Live at Dotolim
[eh?69]Edward Ricart & Tim Daisy
Yiu Ja Ley
[eh?68]Chagas And Schafer
Gesture To The Declining Sun
Plasma Clusters
[eh?66]Jeff Kaiser / Nicolas Deyoe
Chimney Liquor
[eh?65]Close Embrace of the Earth
At the Spirits Rejoice Festival
[eh?64]Jean-Marc Montera & Francesco Calandrino
Idi Di Marzo
[eh?63]Un Nu
[eh?62]Bailly / Millevoi / Moffett
Strange Falls
[eh?61]Jacob Felix Heule & Bryce Beverlin II
Space Sickness
Mud Layer Cake
[eh?58]Strongly Imploded
Twilight of Broken Machines
we must leave the warren
Moist Areas
[eh?55]Eloine & Sabrina Siegel
Nature's Recomposition 33
Any Port In A Storm
[eh?53]Eckhard Gerdes
!Evil Scuff Mud
[eh?52]Psychotic Quartet
[eh?51]Federico Barabino
Can You Listen To the Silence Between the Notes?
The Fruit Witch of Ancient Salamander
[eh?48]Ember Schrag
Jephthah's Daughter
[eh?47]Massimo Falascone / Bob Marsh
Non Troppo Lontano
[eh?46]Delplanque / Oldman
Chapelle de l'Oratoire
[eh?45]The Epicureans
A Riddle Within a Conundrum Within a Game
[eh?44]Croatan Ensemble
[eh?43]Man's Last Great Invention
[eh?42]Sad Sailor
Link to the Outside World
[eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
[eh?40]Andreas Brandal
This Is Not For You
[eh?39]Gamma Goat
Beard of Sound, Beard of Sand
[eh?38]John Dikeman / Jon Barrios / Toshi Makihara
We Need You
[eh?37]David Moscovich
Ass Lunch
Four Plus One
I Manage To Get Out by a Secret Door
Dirty Realism
[eh?33]Jesse Krakow
World Without Nachos
Wave the Old Wave
[eh?30]Bryan Day
Four Televisions
Hear Here
Yama Labam A
[eh?27]Shelf Life
[eh?26]Papier Mache
[eh?25]Papier Mache

Eloine + Ypsmael / Coims - Split
C32 (US, Germany, UK)

Side A: Eloine + Ypsmael
1. Scherwinde
2. Mit Frischen Bienen
3. Tiefenstrom
4. Hinge Down

Side B: Coims
1. Palm Wide Wave
2. Cleavers Cordial
3. Proboscis
4. A Puffin's Coffin


(Bad Alchemy) Eloine, das ist Bryan Day in San Pablo, CA, der aber den Akzent der A-Seite von Ypsmael in Meersberg überwiegend deutsch setzen lässt: 'Scherwinde', 'Mit frischen Bienen', 'Tiefenstrom'. Um mit 'Hinge down' abzurunden, was ich notdürftig nur als Art Brut-Bricolage, knietief in polymorph-perversem Mulm, andeuten kann. Als primitive Percussion und rumorende Elektronik auf „District 9“-Niveau, wo Bienen höchstens Schmieröl sammeln könnten. Wobei da ausnahmsweise katzenfuttersatte Siesta herrscht, tiefenentspannt und dröhnambient. B-seits bringen sich in Bristol Jan Davey & Olly White mit improvisierter Weirdness ein, zwei, die ihre Inkommensurabilität schon auf „Boneless Feast“ und bei „Niacian Flakes With Added Thiamin“ oder „Sandpaper on the Beach“ zusammen mit Adam Bohman gezeigt haben. Nach Titeln wie 'Feeding an Octopus Edam' scheinen 'Palm Wide Wave', 'Cleavers Cordial', 'Proboscis' und 'A Puffin's Coffin' ihren britischen Spleen auf Sparflamme zu dämpfen. Doch das scheint nur so. Orgeliger Mulm kollidiert mit launigem Electrobeat, monotonen Schlägen und Sägen. Gitarristischer Klingklang geht unter in lethargischem Pauken, Pulsen und wieder schrottigem Sägen. Monotones Harfen geht einher mit schneller, aber dumpfer Rhythmik und meckernden Lauten. Puffins sind keine aufgeblasenen Muffins, sondern die clownsgesichtigen Papageientaucher, die hier auf dröhnenden und wabernden Wellen zu drahtig getupften Lauten tümpeln. Als Bonus werden noch ein paar widerwillige Klänge durch die Mangel gedreht. Das passt doch auf eh? wie gesucht und gefunden. - Rigobert Dittmann

(Vital Weekly) The last new release is a cassette on the subdivision, Eh? Records and on the A-side, we find label boss Day disguised as Eloine, who recorded some work with Ypsmael, also known as Norm Mueller. I reviewed some of his releases before without having an all-too-clear picture of what he does. They worked together back (Vital Weekly 1342). I am unsure if the four pieces here are from the session or if they recorded more material later. Armed with their acoustic sound material, springs, coil, toys, and some electronics, they create four pieces (around fourteen minutes) of brutalist electro-acoustic music, veering towards the noise end of things while maintaining clarity in sounds, which is a rare thing. They hit, scratch and scrape but keep their music together all along, i.e. it sounds less improvised, which I enjoy very much. The music reminds me of AMM, Morphogenesis, Kapotte Muziek and Kontakta, and other contact microphone abusers, of course. On the other side, there is Coims. I heard music by Coims before (see Vital Weekly 1184). I have no idea who is behind this project. Still, I learned they are a duo, "using heavily processed/manipulated guitar, vocal and percussion", but I believe I also heard a clarinet. Like much else on this label, this is improvised music, more so than the music on the other side of the cassette. They have five relatively short pieces of music, in which improvisations melt with lo-fi drones post-punky guitar treatments and without all too chaotic and nervous trashing around. Coims, in much the same way as Eloine and Ypsmael on the other side, yet also different, care about structuring their pieces and almost work as compositions. I like this new Coims better than their previous work. - Frans De Waard

© 2020 Public Eyesore Records. All Rights Reserved.