[pe150]Brasilia Laptop Orchestra
10 yEars aLive
[pe149]Bill Brovold
Temporary Presence
[pe145]Pet The Tiger
Gaze Emanations
[pe144]Ashtray Navigations & Anla Courtis
Protozoic Rock Express
[pe143]Alan Sondheim
Future Speed Future
[pe142]Albert / Day / Kreimer
[pe141]Bill Brovold's Stone Soup
Michael Goldberg Variations
[pe140]Michael Gendreau
Polvo Seran, Mas Polvo Enamorado
[pe139]Hélène Breschand & Elliott Sharp
Chansons du Crépuscule
[pe138]Alan Sondheim / Azure Carter / Luke Damrosch
[pe137]Collision Stories
Those Missing Will Complete Us
[pe136]Ghost In The House
Second Sight
[pe135]Henry Kaiser / Alan Licht
Skip to the Solo
[pe134]Peter Aaron / Brian Chase Duo
[pe133]Alan Sondheim / Azure Carter / Luke Damrosch
[pe131]Many Arms & Toshimaru Nakamura
[pe130]Ben Bennett / Jack Wright
[pe128]Music For Hard Times
City of Cardboard
[pe127]Tetuzi Akiyama & Anla Courtis
Naranja Songs
[pe126]Massimo Falascone
Variazioni Mumacs
[pe125]Auris + Gino
Fantasy Remover
[pe123]Azure Carter & Alan Sondheim
Avatar Woman
[pe122]Various Artists
The Unscratchable Itch: A Tribute To Little Fyodor
[pe121]Nels Cline / Elliott Sharp
Open The Door
[pe120]Pretty Monsters
[pe119]Cactus Truck
Brand New For China!
[pe118]Belcher / Bivins Double Quartet
[pe117]Normal Love
Survival Tricks
[pe116]Ron Anderson / Robert L. Pepper / David Tamura / Philippe Petit
Closed Encounters of the 4 Minds
[pe115]Philip Gayle
Babanço Total
[pe114]Dino Felipe
Sorta' Bleu
Radio Friendly
[pe111]Little Fyodor
Peace is Boring
[pe110]Courtis / Yamamoto / Yoshimi
Live at Kanadian
[pe109]Bob Marsh
[pe108]Tartar Lamb
60 Metonymies
[pe107]Shelf Life
[pe106]A Tomato a Day
The Moon is Green
[pe105]D + D
[pe104]The Mighty Vitamins
[pe103]Smut / OVO
Split 7"
[pe102]Bill Horist / Marron
[pe101]Richard Trosper
The Ocean
No Sleep till Babylon
Damn It!!
[pe97]Emily Hay / Marcos Fernandes
We Are
[pe96]The Machine Gun TV
Live In Japan
[pe94]Mike Pride
The Ensemble is an Electronic Device
[pe93]Jorge Castro
[pe92]Yagihashi Tsukasa
[pe91]Eftus Spectun
The Tocks Clicking
[pe89]Amy Denio
[pe88]Eric Cook
[pe87] Onid & Isil
Devotional Hymns for the Women of Anu
[pe85]Che Guevara Memorial Marching (and Stationary) Accordion Band
[pe84]Day / Boardman
One to Seven
[pe83]Knot + Over
Vertonen 9
[pe81]Blue Collar
Lovely Hazel
[pe79]Jesse Krakow
Oceans in the Sun
[pe78]Diaz-Infante / Forsyth / Scherzberg
A Barren Place of Overwhelming Simplicity
[pe76]Khoury / Shearer / Hall
[pe75]Renato Rinaldi
The Time and the Room
[pe74]Masami Kawaguchi
Live in December
[pe72]Watch the Stereo
[pe71]Modern Day Urban Barbarians
The Endless Retreat
[pe70]The Bunny Brains
Holiday Massacre '98
[pe69]Jack Wright & Bob Marsh
Birds in the Hand
[pe68]Free From Disguise
[pe67]Jad Fair & Jason Willett
[pe66]Baker / Baker / Bloor
Terza Rima

Inu Yaroh - Takede from Nostradums Live

-the end of jazz
-inu yaroh no5
-sax battle
-one stroke two beat
-sonic love
-18 strings god
-guitar noize
-apoc 99

Inu Yaroh: Bando, Do-It, Hirai, Matsuda, Tauchi, Kanai, Guy, Shimizu

(Dead Angel no.48)AAAIEEEE! Death-defying bushido jazz, watch out! Inu-Yaroh are clearly honing their mad science as one of the most unusual combos around, Japanese freejazz improvisationists working with traditional instruments and not-so-traditional instruments, like a traditional freejazz combo playing in tandem with a noise posse. They open with "The End of Jazz Virus," which is just deranged -- a crashing, harrowing burst of mad shouting and making of much noise over a seemingly oblivious combo improvising "loosely" (to say the least). Imagine noise hooligans breaking into a jazz session and kicking everything around and making weird electronic sounds as the band plays on, sort of like the Boredoms crashing a Mingus session or something. "Sax Battle: One Stroke Two Beat" comes across like a really alarming cross between experimental guitar and pure frothing death metal, whereas "Sonic Love" is more in the vein of free jazz enshrouded in a cloud of psychedelic electronica. The death metal vs. defenders of free jazz battle resurfaces in "18 Strings God," which sounds far more evil than anything you'd normally expect from freejazz, and "Guitar Noize -- Apok 99" builds from guitar static and trilling sax to a swirling vortex of unpredictable white noise and shouting before dying back down into droning sax and the occasional burst of sound, then it winds back up again into noise and chaos and pure rumbling bushido fury. Not for the faint of heart, to be sure... - RKF

(Improvijazzation Nation no. 61) I wouldn't wish this nightmarish screaming match on my enemies... on th' other hand, this definitely is improvised & spontaneous; so, if you can deal with a bit of pain in yer' ears, you may find something of merit here. Th' vocalist is a highest prominence, with th' reeds & percussives comin' right in behind, on this total assualt on your mind... I've been in (a few) sessions where anger was th' key ingredient projected, & while it serves as a release for th' players, it doesn't do a lot for th' listener, unless they've been skagged out for about 3 months. Then again, if you dig defiance, & total lack of convention, this will be th' TICKET for ya'. For fans of early W.O.O. recordings, I'd give this one a RECOMMENDED... all others beware! - Rotcod Zzaj

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