[eh?96]Felipe Araya
Punata
[eh?95]Eoin Callery
Oakum
[eh?94]noisepoetnobody
Fissure
[eh?93]Bad Jazz
Daymare
[eh?92]Ernesto Diaz-Infante
My Benign Swords
[eh?91]Larnie Fox
In The Cathedral of Airplanes
[eh?90]Tom Djll
Cassette19
[eh?89]Leonard * Day * Jerman
Isinglass
[eh?88]Das Torpedoes
Qu Nar
[eh?87]Ben Bennett & John Collins McCormick
Pluperfect
[eh?86]Daniel Wyche
Our Severed Sleep
[eh?85]Seeded Plain
Spill Containment
[eh?84]Bad Jazz
Bad Dreams In The Night
[eh?83]Chefkirk & Andrew Quitter
Kaiju Manifestos
[eh?82]Venison Whirled
Tetragrammatones
[eh?81]Gary Rouzer
Studies and Observations of Domestic Shrubbery
[eh?80]Unrepeatable Quartet
Edmonton 2012
[eh?79]Stefan Roigk
Unpredictable
[eh?78]Lucky Bone
Borderline
[eh?77]Jeffrey Alexander
No Sacred Snow, No Sacred Show
[eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
(Winter Pale) Red Sun
[eh?75]Horaflora
Live
[eh?74]Graves / Kreimer / Wilsey / Bachmann
The July Amalgam
[eh?73]Sky Thing
Virgin Journalist
[eh?72]Cactus Truck
Live in USA
[eh?71]Various Artists
Hammer, Anvil, Stirrup
[eh?70]Alice Hui-Sheng Chang, Park Seungjun and Jin Sangtae
Live at Dotolim
[eh?69]Edward Ricart & Tim Daisy
Yiu Ja Ley
[eh?68]Chagas And Schafer
Gesture To The Declining Sun
[eh?67]Superlith
Plasma Clusters
[eh?66]Jeff Kaiser / Nicolas Deyoe
Chimney Liquor
[eh?65]Close Embrace of the Earth
At the Spirits Rejoice Festival
[eh?64]Jean-Marc Montera & Francesco Calandrino
Idi Di Marzo
[eh?63]Un Nu
Recoupements
[eh?62]Bailly / Millevoi / Moffett
Strange Falls
[eh?61]Jacob Felix Heule & Bryce Beverlin II
Intersects
[eh?60]Foust!
Space Sickness
[eh?59]Dislocation
Mud Layer Cake
[eh?58]Strongly Imploded
Twilight of Broken Machines
[eh?57]CHEFKIRK
we must leave the warren
[eh?56]Hag
Moist Areas
[eh?55]Eloine & Sabrina Siegel
Nature's Recomposition 33
[eh?54]KBD(uo)
Any Port In A Storm
[eh?53]Eckhard Gerdes
!Evil Scuff Mud
[eh?52]Psychotic Quartet
Sphaleron
[eh?51]Federico Barabino
Can You Listen To the Silence Between the Notes?
[eh?50]Soaf
Dynammo
[eh?49]Yana
The Fruit Witch of Ancient Salamander
[eh?48]Ember Schrag
Jephthah's Daughter
[eh?47]Massimo Falascone / Bob Marsh
Non Troppo Lontano
[eh?46]Delplanque / Oldman
Chapelle de l'Oratoire
[eh?45]The Epicureans
A Riddle Within a Conundrum Within a Game
[eh?44]Croatan Ensemble
Without
[eh?43]Man's Last Great Invention
None.
[eh?42]Sad Sailor
Link to the Outside World
[eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
Object
[eh?40]Andreas Brandal
This Is Not For You
[eh?39]Gamma Goat
Beard of Sound, Beard of Sand
[eh?38]John Dikeman / Jon Barrios / Toshi Makihara
We Need You
[eh?37]David Moscovich
Ass Lunch
[eh?36]KBD
Four Plus One
[eh?35]Brekekekexkoaxkoax
I Manage To Get Out by a Secret Door
[eh?34]Diamondhead
Dirty Realism
[eh?33]Jesse Krakow
World Without Nachos
[eh?31]DBH
Wave the Old Wave
[eh?30]Bryan Day
Four Televisions
[eh?29]Giraffe
Hear Here
[eh?28]Nagaoag
Yama Labam A
[eh?27]Shelf Life
Rheuma
[eh?26]Papier Mache
2
[eh?25]Papier Mache
1


Unrepeatable Quartet - Edmonton 2012
CD-R (Calgary / Easton, PA)



-Edmonton 2012



Jack Wright : alto + soprano saxophone
Ellwood Epps : trumpet
Scott Munro : trombone, viola, electronics
Chris Dadge : drums, percussion

Reviews:
(Chain D.L.K.) The Unrepeatable Quartet consists of Chris Dadge on percussion, Ellwood Epps on trumpet, Jack Wright on alto and soprano saxophone, and Scott Munro on trombone, viola, and electronics. Dadge also runs Bug Incision Records, and each of them also work in a host of other ensembles. This improvisation session was recorded at David Ferris' house in Edmonton in 2012 and now you can experience it as if you were there - and by the time you're done, you'll wish you were. This is amazing improvisation with lots of energy and variety. I get the sense that 'unrepeatable' is intentional ' they would have a hard time doing this the same way twice. This is not all in your face; there is a good mix of dynamics and quiet passages that keep it all interesting. One thing is certain ' they would be amazing to see live. A lot of the jazz I get to review doesn't really push the envelope much; this one does. Needless to say, you won't hear this on your local 'smooth jazz' station (which is a shame). Still, these are highly skilled musicians who manage to make order seem like chaos, which is no small feat. If you like experimental jazz, you need to get this. This album weighs in at around 33 minutes. - Eskaton

(Sound Projector) Unrepeatable Quartet are a team of improvisers based in / originating from Canada and Pennsylvania, playing brass, percussion, viola, electronics…one of them, Chris Dadge, also runs the label Bug Incision. On Edmonton 2012 (EH?80) they sound very close to the styles of playing one would associate with 1970s improv – free, restless, skittery. Even the band name alludes to one of the primary attributes of free playing, its unrepeatability. Not especially innovative maybe, but they do it with great abandon and gusto, and it’s something of a relief to hear players untroubled by the contemporary vogue for “extended techniques” and just playing together in a warm and friendly manner which they clearly enjoy. - Ed Pinsent

(Monsieur Délire) Okay, so I was wrong – I humbly admit it. Two days after Calgary 2012, about which I said it “didn’t work”, the same line-up (Jack Wright, Ellwood Epps, Scott Munro & Chris Dadge) recorded Edmonton 2012, a single 33-minute free improvisation. And this time it works, totally, it’s a blessed moment: the improvisation has depth, appeal, surprises, and wonderful group playing. Released on CDr like all the titles in Public Eyesore’s eh? Series. - François Couture

(Revue & Corrigee) Une respiration parmi ces univers glacés avec le UNREPEATABLE QUARTET, sur le même label, et sorti juste après "(winter pale) red sun". Un quartet de cuivre et batteur, pour une cuisine à feu doux, à cuisson lente, où l'on retrouve Jack Wright, Ellwood Epps, Scott Munro et Chris Dadge, enregistré en novembre 2012. C'est que ça swingerait presque, sur une couche de souffles continus, de clapets aux ouvertures rapides, sur une ferraille sautillante de temps à autre. Une impro statique qui se tient, ni jazz, ni free. Et pas répétitif bien sur, mais un peu de tout ça à la fois. D'assez bonnes raisons qui me font apprécier la fraicheur de ce disque. - Cyrille Lanoë


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